|
And
you’re going to enter your $75 Cabernet in a competition?
Take
my Appellation — Please!
Wine’s
dirty little secret No. 1
Is Frankenwine coming to a bottle near you?
A realistic view of
Napa's middle-class real estate market
The Mustard Festival
No Longer Cuts the Mustard
Mustard
Money: Napa Valley Mustard Festival discloses more
Up, Up and Away in a
Beautiful Balloon
Upvalley Vineyard Values Continue
Boom
Napa’s ever-evolving Chardonnays
Visiting Napa Valley Alone
Celebrate Napa Valley's
hidden gem –– the Napa River
Napa Valley: Glitz grafted onto
deep roots
What else is there
to do in Napa Valley?
Entertainment in Napa
And you’re
going to enter your $75 Cabernet in a competition?
The California State Fair once again presented Daryl
Sattui with the Golden Winery Award, recognizing his V. Sattui Winery as the top winery in
California for 2007.
This marks the
third time in the last four years
that V. Sattui was bestowed this honor. This award is presented annually to
the winery which has the greatest number of wines winning the highest
number of awards.
Of the 28 V. Sattui wines submitted, 23 won awards, a
record the winery says no other winery has accomplished in the State Fair
Wine Competition.
The biggest award was for V. Sattui’s 2004 Preston
Vineyard Cabernet, voted
Best Napa Valley Cabernet and also the
Best Red Wine from
the Napa Valley out of hundreds of other wines submitted.
The winery's other big awards include:
Double Golds for 2004 Preston Vineyard Cabernet
Best Napa Valley Cabernet & Best
Red Wine from the Napa Valley, 2006 Marsangnier, 2006 Semillon
(Sonoma)
Best Semillon from
Sonoma County, 2006 Semillon ( Napa Valley)
Best Semillon from the Napa Valley
and
2005
Crow Ridge Zinfandel, and golds for 2006 Dry
Riesling
– Best Riesling
from California and 2006 White Zinfandel –
Best White Zinfandel in California.
The California State Fair is the largest state wine
competition in California. This year 650 wineries entered nearly 3,000
wines from around the state.
Not to take anything from the V. Sattui wines, but
you’ll recall that this is the competition that called Charles Shaw (“Two
Buck Chuck”) the best Chardonnay in California.
I tasted that wine, by the way. While I certainly
wouldn’t call it the best in California (or even in Trader Joe’s where it’s
sold), it’s a pleasant wine, light, showing fruit but not too much, not
oaky or reeking of caramel and vanilla. It’s a great deal for $2, and
competitive with most wines that cost far more.
Of course, I don’t like typical big, buttery California
Chardonnays, so it’s not surprising I find the Charles Shaw version quite
pleasant. I like the Sauvignon Blanc even better.
Also note that wineries get to choose the wines they
submit, and though I doubt that they'd cheat by picking the best they make,
this always raises questions among those who find it difficult to believe a
wine made in such large quantities is that uniform.
Anyway, a winery must be very optimistic to enter
its wines in competitions. There's only one winner in a wine competition;
everyone else loses.
Some wineries that make very good wines were embarrassed
by being bested in the results -- and I don’t think those results are
particularly valid or relevant.
Aug. 13, 2007
Take my
Appellation — Please!
The recent decision by the Alcohol and Tobacco Trade and
Tax Bureau (TTB) to stop issuing new wine appellations while it reevaluates
them might be great news for some grapegrowers.
Those appellations (American Viticultural Area) might be superfluous:
If Jerry Seinfeld were telling jokes to wine geeks, I
can hear his routine:
“So we spent a ton of money and lobbied to get Pope
Valley gerrymandered into the Napa Valley appellation even though it isn’t
part of it geographically and has different soils and climate.
“Now we’re going to seek our own American Viticultural
Area and spend more to convince people it’s really distinct!”
[Raucous laughter from happy wine drinkers]
He could tell a similar joke about Oregon, Washington,
Lodi and many other wine-growing regions:
“Oregonians have finally convinced Americans that the
state is a good place to grow wine grapes, especially Pinot Noir. So they’re
dividing the wine regions into increasingly obscure bits, inevitably
playing down Oregon. Is this designed to confuse customers? I think
it’s a plot by Russian River Valley Pinot growers personally.”
“Most people barely realize Washington state makes good
wines, much less that the Columbia Valley does. Wahluke
Slope? Rattlesnake Hills? You must be kidding.”
And “Lodi is being jigsawed
into six American Viticultural Areas. Lodi? Six! The local grape commission
has fought hard to finally gain deserved recognition for the area as a
premium-growing area instead of just a place you get stuck. Now we’re going
to slice it into pieces you can only find with a GPS.”
Maybe one of Rodney Dangerfield’s one liners works
better:
“American winemakers are adopting the French system of
geographic designations so they can copy France’s recent success in wine!”
That reminds me of the minor Bordeaux winemaker who once
asked me when Californians were going to adopt the French system and start
mandating varieties, planting methods and yields. I almost laughed
until I realized he was serious.
Every study done proves that Napa Valley (and Napa) is
by far the most valuable word you can put on a bottle of wine made in
America, as Fred Franzia knew when he paid
millions of dollars for the “Napa Ridge” name so he could slap it on
bottles of cheap Central Valley wine. Nevertheless, now Napa vintners are
insisting on promoting their own tiny appellations as if there was any
difference between Rutherford and Oakville that more than seven people
could distinguish blind.
Napa Valley now contains all or part of 13 AVAs, maybe
to be more soon (Calistoga and Tulocay are
pending, and maybe the aforementioned Pope Valley). Yes, there are
differences between them, but most of the wine in Napa Valley comes from a
few broad categories: the cool area south of the Yountville hills that trap
the cold air from moving north; the warmer but rich upper valley floor, and
the low alluvial slopes or "benches" from there to north of
Calistoga; and the mountains.
Napa Valley wineries have traditionally stuck together,
a huge strength compared to those in Sonoma, who squabble and often didn’t
even mention that also-valuable name prominently on their labels until
recently when it was mandated by law.
Of late, however, I’ve seen intense economic competition
developing among Napa’s almost-400 gentlemen (and lady) vintners, and one
response is to promote the so-called “sub-appellations” heavily. And that always
leads to discussion of the differences between the appellations, with the
obvious implication: “Our is better than theirs!”
Every time they do this, they’re chipping away at the
strength that Napa has so carefully built.
People today don’t relate too well to geese laying
golden eggs, but I think most of us understood what Joni Mitchell was
singing about, “They paved Paradise and put up a parking lot.”
That’s just what these Napa wineries are doing. They’ve
got paradise, the most valuable “brand” in the industry, and they’re trying
to disassociate themselves from it. Incredible.
Aside from people who write about wine like me and a few
wine educators and people who work as paid AVA directors, who does this
benefit? Almost no one.
About 1 percent of potential wine buyers care or should
care whether a wine is from Oakville or Rutherford. In fact, there’s far
more difference between the grapes grown in the west side of the two areas
and those from the east 3 miles away than between the two adjacent
townships north and south.
Most wine buyers respond primarily to grape variety,
brand name and image and price, with recommendations from friends and
experts also important.
They don’t care about appellations, especially ones
they’ve never heard of. A few years ago, consumer research found consumers
ranking the Ozarks higher than Stags Leap for wine because of the
familiarity of the name. And if you’re reading this, I assume you know
better than that.
Admittedly, if you’re trying to attract tourists,
location matters, but beauty trumps wine quality in this case, and
fortunately, some top wine areas are very pretty.
Don’t get me wrong. I love learning about and explaining
the nuances of terroir, but I also find seminars on the relationship
between the chemistry of organic sulfides and sensory perceptions
fascinating, and I make part of my livelihood writing about them. But
vintners who want to sell their luxury wines would do well to read
Vanity Fair and
Town & Country rather
than the National Geographic Magazine, and do a good job explaining
their own wines, not trying to convince people that the little piece of
dirt they share with a few other wineries is a reason to buy the
wine.
Aug.
20, 2007
Wine’s
Dirty Little Secret
Most wine in America is drunk
without food
While we who write about
wine rarely address it, most wine in America is drunk alone, not with food.
The majority is enjoyed in place of cocktails or just hanging around with
friends. Still other glasses are poured after dinner.
By contrast, most wine in
traditional wine-drinking countries of the Mediterranean is consumed with
meals, and considered as much a part of those meals as bread – which is
almost universally served.
That makes a big impact
on the type of wines enjoyed.
If you’re drinking wine
with a meal, you want something to complement the food and make it taste
even better. Most regions traditionally only made a few types of wine, and
that was enjoyed with everything served. Nobody worried much about whether
it matched the food; the food and wine evolved together.
There were some
surprises, too. Many regions in Spain, Portugal, Italy and Greece as well
as France and most of Austria, Switzerland and Germany traditionally
favored white wines. It’s only recently that snobbishness has declared that
red wines are better.
Those white wines,
however, tend to be fairly acidic – crisp is a nicer term – and rather
neutral, not full of strong flavors that clash with the foods.
Likewise, the reds tend
to be a bit tart with a subtle balance of bitter tannins that enhance the
food.
Few people drink either
these bone-dry, somewhat acidic reds or whites (or the very popular dry
rosés) alone. When wine critics visit Italy and Spain, for example, the
winemakers try to get them to enjoy the wines with olives, cheese and tasty
sausages and ham. They all make the wine taste better.
The favorite aperitifs of
the Mediterranean are not white wines, but sparkling wines like Cava,
Prosecco and Champagne, whisky (Scotch), bitter digestives like Campari and soda, or licorice-flavored pastis and its cousins.
In America and many other
countries that don’t have a long wine tradition, however, the most popular
wines are formulated to taste better alone. By far the most popular is
slightly sweet, fruity Chardonnay smelling of vanilla and caramel from oak
barrels (or chips) and butterscotch from the malolactic process that converts
its tart malic (apple) acid to soft, buttery
lactic (milk) acids.
There wines are a far cry
from traditional French Burgundian wines made with the same relatively
neutral Chardonnay grape, which tend to be crisp and light and don’t have
the other flavors we associate with Chardonnay but are the result of
winemaker manipulation.
We also like soft Italian
Pinot Grigio, and, increasingly, Spanish Albariño, both good with foods but
also pleasant alone. Sauvignon Blanc, the traditional runner-up white here,
is often made soft and easy to drink for that reason.
For reds, the most
popular wines to drink alone aren’t tannic Bordeaux, but fruit-filled,
often sweetish wines such as Zinfandel, Merlot, or Shiraz, many from
Australia or Chile.
This phenomenon extends
to the high end of the market, too. Expensive “cult” Cabernets and
Chardonnays are picked very ripe, making intense wines that are better for
socializing than drinking with food. After all, if you’re going to open a
bottle of California cabernet that cost hundreds of dollars, you want to
savor it, not hide it under food.
There’s nothing wrong
with either type of wine, but it’s important to keep in mind how you’ll
serve a wine before buying it. And don’t hesitate to experiment. Wine
prices are at their lowest in years, making it truly a buyers’ market.
--
end--
Afterthought: The dirty little secret
of Napa Valley: I believe that it produces far more white Zinfandel than
any other wine. That’s because the two biggest producers, Beringer and
Sutter Home, are based here.
Of course, virtually none
of the grapes used in these wines are from Napa Valley, but the wineries
were grandfathered into being allowed to use “foreign” grapes (from other
counties). New wineries have to use mostly Napa grapes.
There’s nothing wrong
with white Zinfandel anyway. It’s the fourth most popular varietal wine in
America. But I don’t like it, just as I don’t like $50 oaky, buttery
Chardonnay. Plenty of people do, however, including my sister; she drinks
no other wine in spite of my attempts to introduce her to other
types.
August
27, 2007
|
|
Is Frankenwine coming to a bottle near you?
“This technology is coming whether we’re
ready or not,” notes Carole Meredith, a grapevine geneticist at the
University of California at Davis.
Researchers at the University of Florida
have inserted a silkworm gene that makes a bacteria-killing protein into
the cells of grapevines susceptible to Pierce’s disease. Now they’re
waiting to see if the process works.
Huge
interest
There’s great interest in genetic
engineering that might help fight major grape pests but no genetically
modified wines are on the market or could be for years. The research is
in early stages, and it could take years to complete and pass regulatory
approvals. Then it would take additional years to grow vines and make
wine from them.
There is also enormous concern about
modifying foods in general, and that’s led to legal controls as well as
general consumer opposition.
Genetically modified organisms (GMOs) are
already widely planted even though none are commercial grape vines.
Linda Bisson from the University of California at Davis Bisson defines
genetic engineering as the use of recombinant DNA technologies to alter
the genetic composition of an organism. “It takes a natural process and
directs and speeds it,” she notes. “Genetic engineering can increase
profitability in agriculture.”
Reinhardt Töpfer of the German Federal
Grapevine Breeding Institute says 2.5 million acres of GMO’s are already
planted worldwide, primarily soybeans, corn, cotton and rapeseed (a type
of mustard plant that produces Canola oil).
Vines
receive attention
Much conventional and high-tech research is
conducted to improve disease and pest resistance among grape vines.
Töpfer says genetic modification could increase resistance to
pests and diseases like fungi, insects, nematodes, bacteria and
viruses. It could also help vines produce in hostile
environments that are too cold, too hot, too wet or too dry. All
could lead to lowered production costs plus less use of
chemicals like pesticides and herbicides.
Töpfer regards fungal resistance a primary
goal since it’s a problem wherever grapes are grown. He adds that
classical breeding techniques like that used by Luther Burbank have
already demonstrated a reduction in the amount of chemicals needed to
control fungi.
At present, both these classical breeding
techniques and biotechnology (genetic engineering) are used to create
modified grape vines. Classical breeding is used to develop new
varieties, while biotechnology is used to improve traditional vines.
Classical techniques are already widely used, while improvement in
varieties remains an aim, not a reality, for biotechnology.
Yeasts
likely to have nearer-term impact
Nearer term, Professor Bisson says, genetic
engineering is more likely to improve yeasts used to make wine than
modify vines. Yeasts mutate easily on their own, and researchers speed
up the process. That’s less controversial than inserting genes from
different species like animals and insects into plants.
Bisson says improved yeasts could combine
desirable traits from different strains. The prime goal of better yeast
is lowering the high alcohol content of wine from warm regions like
California by converting some of the natural sugar to other beneficial
compounds like glycerol that give appealing mouth feel.
Improved yeasts could also reduce smelly
hydrogen sulfide or eliminate off-flavors or improve flavor or color
stability.
It might be possible to increase production
of bacteriocin so the yeasts would control spoilage organisms and reduce
the need for sulfur dioxide used to preserve the wine.
Some yeasts also reduce the format of
carcinogens that develop during some fermentations; these substances are
already being banned in the European Union.
Winemakers cautious
Most winemakers haven’t taken a stand yet
about genetic engineering. Though it seems to have slipped off the radar
for now, one issue that may force them to do so is Pierce’s disease.
This virulent malady has wiped out vineyards in southern California, and
threatens the state’s wine industry.
There is no cure for the disease,
so efforts are focused on controlling the glassy-winged sharpshooter, a
bug from Florida that spreads the bacteria that causes the disease.
Growers in the Temecula area, for example, spray their vines – and
adjoining citrus trees that also harbor the pest -- with Admire, a Bayer
systemic pesticide that kills the bugs. It’s considered less toxic to
the environment than many insecticides, but not many consumers are
anxious to consume products treated with even relatively benign poisons.
So far, no glassy-winged sharpshooters have
settled in California’s prime vineyard appellations. Tom Selfridge,
now president of the Hess Collection, says, “I believe we can keep it
under control.” Paul Dolan, president of Mendocino Wine Company and a
leader in natural farming of grapes, says “I’m hoping we don’t go down
the path of genetic engineering.”
For now, no genetically modified wines are
on the market. If they arrive, the debate is sure to intensify. Prof.
Meredith notes that Americans seem to thrive on genetically modified
breakfast cereals, but that may be immaterial: “Science doesn’t matter
now; there’s tremendous emotional opposition.”
Sept. 3, 2007
A realistic view of
Napa's middle-class real estate market
Just as is true everywhere
else, there is a lot of property for sale in Napa. I have a nice little
1923 cottage, but it’s just a little too small for me since I like to
entertain, and while I’m not too far from downtown, I’d like to be even
closer. So I keep in touch with my real estate brokers, who have become
friends. They also work with my daughter
and son-in-law, who have eight housing units, seven in Napa.
Paula Fields and Heli Sairenen of Coldwell
Banker Brokers of the Valley
work as a pair primarily with “normal” homes in Napa, not mansions. Of course, here, that’s $500,000 to say, $5 million.
Both are delightfully honest
and blunt, and never waste my time, so I recently asked Heli about the
present situation here in Napa. I think her comments would be of
interest to anyone owning property in Napa Valley or interested in
buying some.
Boy, the market has changed.
There’s no question about that,” “Heli says.
She continues, “People are
still buying and the profile of the current buyer is a careful,
deliberate shopper who evaluates expenditures very carefully, i.e. the
value shopper is still out there.”
“There are some great values
out there right now since this is the ‘four D market’ for the seller,”
her name for the seller motivations in a tough market: distress,
divorce, death and deliberate buyer.
“The reality of life
situations still ke
eps the market moving,” she says. The speculative
frenzy of the quick buck is not there, and neither is the buyer who
wants a house because a friend bought a house. Many of the buyers now
are the ones who really perceive the long-term investment opportunities
or the move-up opportunity offered by this kind of a market. They
understand that if they have to take a price reduction (compared with
two years go) on the house they are selling, they will get it back in
the lower price of the house they are buying...plus the benefit of lower
property taxes due to lower acquisition cost.
“Yes, the buyers and sellers
are out there, but not in the mass numbers as before. Now everyone who
is shopping is thinking long term...and that is much more realistic.”
“A house should be considered
a place to live in and not as a cash cow,” she reminds us. “California
has been very lucky in property price appreciation and instead of using
that windfall as an estate building tool, a lot of people have used is
to fund their consumerism, which is really not good in the long run, but
too easy. I know sometimes you have to draw on the house, but it should
be only for a genuine need.”
“Bottom line, there is
business out there, but I personally find myself doing a lot more
counseling and as always, I am truthful with the facts. Now that the
market information seems to be the top news, people believe it more
readily.”
She says that conforming
loans, those under $417,000, are still out there and under 7 percent. It
is the jumbos that are having a hard time. It is scary out there for the
liquidity since the lenders have not found secondary market purchasers,
and even FreddieMac suspended their loan buying for a day. I think it
will settle down, but this transition period will be hard.
Of course, with a good down
payment added as usually happens who you move up (or down!), many buyers
would qualify for pretty comfortable houses.
If you’d
like more information, you can
reach
Heli at 258-5220 or Paula at
258-5217 or e-mail
pfields@cbnapavalley.com or
Helisnapa@aol.com.
Sept. 10, 2007
The Mustard Festival
No Longer Cuts the Mustard
The Chef’s Market was
created to help downtown Napa merchants, and it did a great job. Over
time, however, conditions changed and it grew too big for its own good.
Fortunately, the sponsors recognized this and have made adjustments,
namely moving it from Friday, which would be busy downtown in any case
in today’s new environment, to Thursday, which used to be the late
shopping night in Napa years ago.
It should bring many
people to downtown Napa on Thursday to benefit restaurants and
merchants, though probably a more manageable number than in the past, as
do the mid week equivalents in cities like Vallejo and Sonoma.
Now it’s time to
re-evaluates the Mustard Festival.
It began as an attempt
to lure tourists to the valley in the rainy season when things were very
slow, and it’s certainly helped. However, things have changed in Napa
Valley. In the years since the Mustard Festival began, the Napa Valley
has become a world-class destination for food as well as wine, and our
first-class hotels and inns have proliferated. Meanwhile, the Mustard
Festival has become a self-perpetuating exercise that needs to change.
Most people who attend
the big Mustard Festival events don’t realize that they aren’t
charitable. Since everything else like them here are, most probably
never realize that most of the money they spend to attend mustard events
doesn’t go to charity.
It goes to putting on
the events and promoting them. Some of the fees do go in lieu of
fees to the locations such as the Culinary Institute and Copia who host
the events, and in the last two years, a small amount has been designated to
charitable causes (about 5 percent). It’s a pittance considering the cost of some of the
events. (See more on the contributions and finances of the Mustard
Festival at Mustard Money below.)
And there’s this whole
issue of mustard.
Napa Valley is known
for wine and food, not mustard. Mustard –the green version, which I
love, and the condiment—don’t even go particularly well with wine.
We should have a wine festival, not a mustard festival. And
it should be a community effort, with all events making significant
contributions to the community.
I propose we go one
step further. Make it the Napa Valley Winter Arts and Wine Festival,
gathering together all the arts – which are largely involved in the
events anyway—and making our locals arts organizations the primary
beneficiaries.
Yes, some of the
present promotional and organizational effort might be contracted out,
but local residents and organizations are already doing most of the
work. All they’re getting for their work is great parties.
The Arts Council of
Napa Valley is already starting the process of coordinating our arts –
music, visual, literary and performing, and I bet there are many people
in Napa Valley who would rise to help organize the effort.
One obvious group to
help might be the Conference and Visitors’ Bureau, but it is charged
with attending high-value guests, particularly from Sunday to Thursday,
not “tourists.” The Bureau is now working on a long-term plan called the
Destination Strategy, by the way, which should help bring even greater
focus to the optimum marketing of the valley.
I don’t think the
tourists who attend the Mustard Festival events, which are mostly on
weekends, would be less interested in attending winter wine events in
Napa Valley focused on the arts instead of mustard.
The mustard plants will
still provide beautiful vistas if nature cooperates, and we can continue
to include the mustard-oriented events as part of the overall effort.
But let’s not forget
that the mustard that’s spotlighted now doesn’t even grow here. No one
harvests it commercially; all that mustard seed comes from the Midwest
and Canada (as well as overseas). Leave the mustard to Wisconsin.
We should glorify
Napa’s wine. That’s why people visit here, and we should highlight it
during the winter as well as the rest of the year.
Mustard
Money: Napa Valley Mustard Festival discloses more
After some prodding, the secretive
Mustard Festival board has announced that it donated more than
$100,000 to charity in the past two years as it has added
charitable contributions for the first time to the schedule of
events and promotion. These involved pass-through contributions
from local wineries and other organizations.
In 2006 the Festival established a
new charitable element and raised more than $30,000 for the
American Red Cross to help the people of New Orleans through an
auction lot contributed by Clarke and Elizabeth Swanson of
Swanson Vineyards.
In 2007 the Festival raised
approximately $38,000 for Clinic Olé though the sale of Lowell
Herrero’s Mustard Festival artwork and an event sponsored by
Robert Mondavi Winery.
An additional $7,000 for Napa
Valley College scholarships for the children of vineyard workers
was raised through an auction lot contributed by Ceja Vineyards
and Meadowood Napa Valley.
Those are very welcome donations by
the wineries (and Meadowood), but I think the Festival’s
donations should be compared to that of charitable and other
organizations that contribute far more to the community from
their single events.
We should add that the event
promotion also includes events held by charitable and
educational groups that occur during the winter season while the
Mustard Festival is in progress.
Some of the
other financial details are interesting. 85 percent of the
sponsorship money came from organizations outside the valley,
including $100,000 from American
Express and
$75,000 from the San Francisco Lexus Dealers Association.
A major emphasis of the event is
promoting Napa Valley to tourists, and it claims $836,120 in
donated media space and time, and 3.7 million hits on its web
site, which brought in 75 percent of the ticket sales.
Gross income for
the Festival totaled $924,000 leaving an event/sponsorship
profit of $10,077.
The Festival didn’t send me the
report (I have friends), but I assume you can get a copy from
them. It’s called the 2007 Festival Wrap-up Report. I’ve
requested their 990 report to the IRS, which they are legally
required to release as a 501 (c) non-profit corporation, for
details on how the $836,000 is spent.
I still think
the major tourist festival in Napa Valley should highlight Napa
Valley wine, not a tasty if attractive weed.
You can get
more information about the Mustard Festival at 938-1133 or visit mustardfestival.org.
Up, Up and Away
in a Beautiful Balloon:
A hawk's eye view of picturesque Napa Valley
If you've ever stayed one night too long in Napa
Valley and had to return early Monday morning, you've probably been
greeted by the magical sight of colorful hot-air balloons floating
above your car as you've driven through the Valley.
It looks like fun, but you don't know the half of it.
It's simply unforgettable, better than you could even imagine.
Slowly floating where the wind wants to take you over vineyards,
farms and towns, you get a view and perspective unimaginable from
any other experience.
That's especially true over the narrow Napa Valley
defined by steep mountains, compressing the scenery and ride to a
compact area over and among some of the most beautiful views in
America.
A number of companies offer balloon rides for $175 to
$225 per person. The rides typically last about an hour, the
experience three or four, including coffee and pastry before the
ascent, and a post-flight brunch featuring Napa Valley sparkling
wine.
The largest company, and one that has been offering
the rides for about 20 years, is Balloons Above the Valley. It has
ten balloons, three of them monsters that are the largest in the
United States. Each holds 16 friendly people — plus the pilot — in a
woven rattan gondola, which weighs only 600 lbs. The rig is 120 ft.
high, as tall as a 14-story building and holds 250,000 cubic feet of
air. These balloons can lift 5000 lbs, so as company owner and pilot
Bob Barbarick says, "It doesn't matter how many pancakes you had for
breakfast."
The company also has smaller balloons for private
parties and smaller groups.
The balloons get their lift from hot air generated by
nozzles that burn propane. The flames can shoot 10 feet high, very
dramatic when they're only a few feet above your head.
The best time for ballooning is at sunrise, when the
winds are typically light in Napa Valley. In the case of Balloons
Above the Valley, that means meeting at 6:30 a.m. After signing a
waiver and downing a roll and coffee, you hop in a van for the
launch site.
Obviously, the early morning time is perfect in the
warm summer, but the balloons do operate year round. Fortunately,
the heat from the burner keeps passengers warm even when it's cool.
If it's raining or too windy (over 10 mph), the balloons don't fly.
The passengers, variously called balloonists,
argonauts or even balloonatics, get to watch the inflation process.
The balloon is stretched out while a powerful fan partly inflates it
with cold air. Then the giant blow torches start and soon the
balloon is stretching skyward. At that point, everyone scrambles
aboard, climbing gracelessly in most cases, into the gondola. A
number of ground crew hang on as the hot air is again ignited and
when the pilot says so, the crew lets go (or jumps off) and the
balloon slowly rises above the parking lot, then the winery. There's
no jumpy sensation in your stomach as in an airplane because of the
slow and gentle motion.
The balloons typically travel about 500 ft. up,
though they can hover just above the vines or rise thousands of feet
up, high enough to cross the mountains.
As you glide along, jack rabbits and deer bolt from
their forbidden pleasures munching on grapes and tender grape vines,
and the occasional cow looks up curiously. A red-tailed hawk eyes
the balloon, trying to figure out whether it's a threat or a treat,
but soon zooms away seeking better prospects for breakfast.
The winds typically take you south.
Your pilot identifies sights as you pass their site,
here Robert Mondavi's knoll-top villa, there Trefethen vineyards,
famous for its Chardonnay and Cabernet. If it's in the fall, you see
the patchwork of fields dotted with beautiful red and purple grape
leaves that betray vines infected with viruses.
The distance you travel depends solely on the winds.
You may go only a few miles, allowing you to inspect every sight, or
you may, as I was lucky enough to do, travel about 13 miles over the
city of Napa, looking at its huge collection of Victorian houses and
the river downtown—including your starting point.
Another balloon load the morning I flew hopped over
the south end of the Mayacamas mountains, flying over the Hess
Collection and impressive Domain Carneros sparkling wine cellars,
ending up in a vineyard by Saintsbury Winery.
The landing is exciting, and I was sure we were going
to end up in the Napa River. But, no, the balloon came down with
only a few gentle bumps and bounces. Then the ground crew, with a
little help from passengers, helped furl the balloon.
Soon we boarded our van for a short trip back to the
starting point, where we enjoyed the brunch with Domaine Chandon
sparkling wine, a guilty pleasure at 9 in the morning. We also
received our certificates, balloon pins and complimentary T-shirts.
There may be a better way to start a day than gliding
over Napa Valley in a balloon, but if there is, I've never found it.
Balloon companies in Napa Valley
Oct. 17, 2007
Upvalley Vineyard Values Continue
Boom
Once again, those who live in the heart
of Napa Valley are winners, this time in a report on vineyard values
given at the annual Wine Industry Financial Symposium organized by
David Freed and his UCC Group. The event is a must for both those
who invest in and lend to the wine business, and many members of the
wine industry itself as they look into the future.
One of the most interesting talks was by
vineyard appraiser Tony Correia of Correia-Xavier, who has been in
the appraisal business since 1972 and tracking vineyard values since
1984. He reinforced the special place of upper Napa Valley among
vineyards all over California.
His talk on values was preceded by a
long introduction about grape demand and cycles. A quick summary:
When demand exceeds supply, people plant more grapes, and the cycle
has a 10- or 11-year period. “They always say it will be different
this time,” he observed. “Everyone plants too many grapes since they
think no one else is planting.”
From 1995 to 2006, for example, there
was a huge increase in planting, 120 percent overall in Santa
Barbara and San Luis Obispo alone.
Since 2001, however, there has been very
little planting, and it’s been up only 0.5 to 2 percent each yearin
Napa and Sonoma.
In additional, Mother Nature can disturb
the pattern. 1997 was a big crop year, and so were 2000 and 2005,
and they tend to cause gluts. “2005 was a monstrous year for all
varieties but Pinot Noir,” said Correia.
And when there’s a glut, grape prices
drop and wineries look for cheaper sources of grapes. Yet growers of
cheap grapes suffer far more than expensive ones in poor times.
“Napa is relatively insulated.”
And, of course, there’s a relation
between grape prices and land prices. The high prices paid for
grapes in Napa Valley match the high prices for land.
|
County |
Typical price per acre for
vineyards |
|
Monterey |
$16,000 -$35,000 |
|
San Luis Obispo and Santa
Barbara |
$25,000 - $50,000 |
|
Sonoma |
$40,000-$80,000 |
|
Napa |
$50,000-$275,000 |
Source: Tony Correia from the California
Chapter of the American Society of Farm Managers and Rural
Appraisers (www.calasfmra.com)
Land in Napa Valley proper in the last
five years has ranged widely in price, however. Acreage sold between
$45,000 (Rigi in Yountville) to $300,000 per acre (Cohn in
Rutherford).
Not surprisingly, the highest prices
are in the heart of the valley, from Oakville through St. Helena
--and Howell Mountain.
|
Area or AVA |
Typical price per acre for
vineyards |
|
Pope and Chiles Valley |
$45,000-$75,000 |
|
Carneros |
$75,000 -$125,000 |
|
Napa Valley in general
|
$75,000-$200,000 |
|
Heart of the valley (Oakville,
Rutherford, St. Helena and Howell Mountain) |
$150,000-$300,000 |
Source:
Source: Tony Correia
Of course, an estate home site on the
property could vastly inflate those figures, increasing the price
for a plot as much as $3 million. Not that many sales are occurring,
however.
Number of recent vineyard sales
|
Location |
Number of sales |
|
“Napa
Valley” |
28
|
|
Oak
Knoll |
15
|
|
St.
Helena |
14
|
|
Carneros |
13
|
|
Rutherford |
11
|
|
Pope
Valley |
9
|
|
| | |